Bought your tickets yet?
Perused the lecture schedule to see which speakers you want to hear?
…thinking that life has passed them by
Days like today are never simple. Most of us, even if we know we are loved have some achey corner of our lives that remains stained with loss or regret. Most of us face our days as courageously as we can, but hold, somewhere deep inside the knowledge that we were not enough for someone, not enough to keep them from leaving us, not enough for them to treat us generously, or fairly, not enough for them to love us the way we long to be loved. Days like this give us the chance to remind others how beautiful they are to us. But they may also, unintentionally serve as days that remind us love has not treated us quite as kindly as we were taught to hope it would, and that all the saccharine sweet wishes in the world will not make even one of them taste any more like the honey that is love returned.
This is for each of you who has ever experienced the horror of having been thrown away by someone. It is for those who have been lied about, stolen from, made fun of. It is for those who remain unseen, under-appreciated, frozen by fear.
Today, may you find permission to begin forgiving yourself for those achey scars you suspect make you unloveable. May you find some small measure of permission to love yourself a bit more generously, if simply by realizing that you are not at all alone in feeling so alone. And may that in turn free you to drop your guard, if only a little, to let another venture closer where they can begin to love you too.
This Is For All The Lonely People (Remember this song by America?)
But how to weave all that into a story that will fascinate, entertain and flow over the imaginations of the audience like water? …or should that be like warm butter?
Start with tens of thousands of images shot in dozens and dozens of locations over a period of five years. Faces, places, relationships, actions, flowers, hands, bouquets, creatures, concepts. Now narrow that immense sea of images down to less than 200 that make sense for the book I co-created this past year with garden author Debra Prinzing, book designer James Forkner and the talented folks at St. Lynn’s Press. How exactly does one build a single slide that addresses all of that?
Here are the iPhone generated photos I shot yesterday as I worked out how to grapple with this ‘funnel it all into your brain’ concept.
First: I’m looking for something that I can use that looks like an immense funnel. Cue the violins as I dig this light fixture out of a dusty box in the basement and try to remember why I haven’t put it up outside my basement door yet. I hold it up while my trusty little iPhone camera counts down the seconds before shooting the self-timer triggered picture. Hooray for Camera+!
OK, it looks enough like a funnel that I think I can use it, but how can I get it to float properly above my head without having to hold it there? Thinking cap time. (PS, I’m wearing the hat in this case partly because I don’t want to have to go take a shower and wash my uber-frumpy hair before I can do this thing…)
Hmmmmm, a light stand, a triangular scrap of wood and a clamp. Yes, I’ll have to retouch out the stand and the back part of the light fixture, but on a dark, textureless background, that should be easy enough. Notice that I’ve now traded my regular eyeglasses for my three dollar “BugEye” glasses to add an overall touch of elegance and class to the image. And notice too that I’ve got the camera tilted at an angle so I can add type to the lighter side of the image while accommodating the crookedness of the ‘funnel’ since it’s hanging all cattywompus from the light stand/clamp. Tricksy little hobbit.
By jove, I think we’ve got it. And I didn’t even have to take a shower.
Oh noes… Can it really have been that easy? A mere half-hour from initial brainstorm to final shot. Still gotta download it into the computer and retouch it in Photoshop. And I need to come up with some kind of special effect for the myriad of photos that will be pouring down from the heavens into the funnel. Doh, and I still need to figure out what the slide should actually say, pick a font and then add the type. But hey…
Total build time for this one ‘concept’ slide: About 3.5 hours.
Only 79 or 80 more to go… Stay tuned.
Want to see how it all comes together? Come to the Northwest Flower and Garden Show on Friday, February 22. I’ll be presenting this seminar, Left on the Cutting Room Floor at 2:45 pm in the Hood Room and then signing copies of The 50 Mile Bouquet immediately following. Lectures at the NWFGS are free.
This is a quick welcome and shout out to those of you who have visited for the first time recently, having decided to subscribe following a lecture and/or workshop appearance. It is also a quick tease to remind all those interested in such things that I will be presenting once again at the Northwest Flower & Garden Show. This year my seminar is entitled, Left on the Cutting Room Floor: Gorgeous Photos that Didn’t Make the Book.
If you’ve ever wondered how books like The 50 Mile Bouquet come together, how the pictures are selected and/or rejected for a picture-rich project, this sixty minute slide lecture is for you. Check out the seminar synopsis below and mark Friday, February 22 on your calendar as a perfect day to attend the Flower & Garden Show. There are so many great, free seminars to choose from. In fact, just a bit after my presentation, Amy Stewart, the wonderful author of Flower Confidential, who helped inspire and then generously wrote the introduction to The 50 Mile Bouquet for Debra Prinzing and me, will be lecturing in the Rainier Room on the subject of her brand new book, The Drunken Botanist. And following her, my dear friend Paul Zimmerman of Paul Zimmerman Roses will be lecturing in that same venue on the topic, Roses are Plants, Too. Here’s a link to more info on his new book: Everyday Roses: The Casual Gardener’s Guide To Growing Knockout and Other Easy-Care Modern Roses
Here’s what I’m working on next: Northwest Flower & Garden Show
Left on the Cutting Room Floor: Gorgeous Photos that Didn’t Make the Book
Fri, Feb 22 at 2:45 pm / Hood Room (mark your calendars)
The process of (garden) bookmaking is considered by many who practice it to be one of the darkest of the arts, requiring an iron will, a subtle hand and ferociously focused multi-tasking skills. Fresh from his multiple roles as co-creator, photographer, photo editor and image colorist in producingThe 50 Mile Bouquet in collaboration with garden author, Debra Prinzing, for St. Lynn’s Press, David Perry invites you behind the curtain to see and understand better how the essential visual elements of a picture-rich book actually come together, and how he edited a collection of more than 40,000 photos down to a mere 176. Join David as he shares fascinating glimpses of this complex dance, from selecting just the right pictures that will help the author’s words come to life, to collaborating with the graphic designer in sizing, image placement and cropping, and finally, to the truly mysterious art of enhancing each file individually so it will sing in harmony with the others and stun on the printed page.
Meet the author!
Book Signing immediately follows this seminar.